Guitar · drop voicings
B♭maj7 drop 3 voicings on guitar
B♭maj7 drop 3 voices B♭, D, F, A with one note per string: 8 shapes, 4 inversions on 2 string sets. Each is the lowest grip without open strings; 1 of them need a stretch wider than 4 frets. Drop-3 maj7 recipe: the third is dropped an octave, giving 3-1-5-7 from the bass.
| Note | B♭ | D | F | A |
|---|---|---|---|---|
| Degree | 1 | 3 | 5 | 7 |
B♭maj7 drop 3 on strings 6–2
Root position: B♭ A D F from the bass
Grip 6-x-7-7-6-x · frets 6–71st inversion: D B♭ F A from the bass
Grip 10-x-8-10-10-x · frets 8–102nd inversion: F D A B♭ from the bass
Grip 13-x-12-14-11-x · frets 11–14Show 1 more inversionShow 2 more inversionsShow less
2nd inversion: F D A B♭ from the bass
Grip 13-x-12-14-11-x · frets 11–143rd inversion: A F B♭ D from the bass
Grip 5-x-3-3-3-x · frets 3–5B♭maj7 drop 3 on strings 5–1
Root position: B♭ A D F from the bass
Grip x-1-x-2-3-1 · frets 1–31st inversion: D B♭ F A from the bass
Grip x-5-x-3-6-5 · frets 3–62nd inversion: F D A B♭ from the bass
Grip x-8-x-7-10-6 · frets 6–10Stretch: 5 fretsShow 1 more inversionShow 2 more inversionsShow less
2nd inversion: F D A B♭ from the bass
Grip x-8-x-7-10-6 · frets 6–10Stretch: 5 frets3rd inversion: A F B♭ D from the bass
Grip x-12-x-10-11-10 · frets 10–12More B♭maj7
Scales with B♭maj7 in them
Scales on this site that contain this chord, and the degree it is built on.
- F major on 4
- B♭ major on 1
- D minor on ♭6
- G minor on ♭3
- C Dorian on ♭7
- G Dorian on ♭3
- D Phrygian on ♭6
- A Phrygian on ♭2
- E♭ Lydian on 5
- B♭ Lydian on 1
- C Mixolydian on ♭7
- F Mixolydian on 4
- E Locrian on ♭5
- A Locrian on ♭2
- D harmonic minor on ♭6
- C bebop dominant on ♭7
- F bebop dominant on 4
- B♭ bebop dominant on 1
- A Phrygian dominant on ♭2
Use it in a progression
Progression pages that comp this chord, voice-led, with the numeral it plays.
- ii–V–I in B♭ (B♭maj7 as Imaj7)
- I–vi–ii–V in B♭ (B♭maj7 as I)
- Autumn Leaves (B♭maj7 as 3)
- Tritone substitute (B♭maj7 as Imaj7)
- Tritone sub with its related ii (B♭maj7 as Imaj7)
- Backdoor ii–V (B♭maj7 as Imaj7)
- Secondary dominants (B♭maj7 as I)
- Passing diminished chord (B♭maj7 as I)
- Minor iv (B♭maj7 as Imaj7)
Drop 3 maj7 in every key
Practice it in Practice Lab
Practice B♭maj7 drop 3 through every shape, at your tempo, with a plan that adapts. Free, in your browser, no account.
Open it in Practice Lab