Guitar · drop voicings
Fmaj7 drop 2 voicings on guitar
Fmaj7 drop 2 voices F, A, C, E with one note per string: 12 shapes, 4 inversions on 3 string sets. Each is the lowest grip without open strings; 2 of them need a stretch wider than 4 frets. Drop-2 maj7 recipe: the fifth is dropped an octave, giving 5-1-3-7 from the bass.
| Note | F | A | C | E |
|---|---|---|---|---|
| Degree | 1 | 3 | 5 | 7 |
Fmaj7 drop 2 on strings 6–3
Root position: F C E A from the bass
Grip 1-3-2-2-x-x · frets 1–31st inversion: A E F C from the bass
Grip 5-7-3-5-x-x · frets 3–7Stretch: 5 frets2nd inversion: C F A E from the bass
Grip 8-8-7-9-x-x · frets 7–9Show 1 more inversionShow 2 more inversionsShow less
2nd inversion: C F A E from the bass
Grip 8-8-7-9-x-x · frets 7–93rd inversion: E A C F from the bass
Grip 12-12-10-10-x-x · frets 10–12Fmaj7 drop 2 on strings 5–2
Root position: F C E A from the bass
Grip x-8-10-9-10-x · frets 8–101st inversion: A E F C from the bass
Grip x-12-14-10-13-x · frets 10–14Stretch: 5 frets2nd inversion: C F A E from the bass
Grip x-3-3-2-5-x · frets 2–5Show 1 more inversionShow 2 more inversionsShow less
2nd inversion: C F A E from the bass
Grip x-3-3-2-5-x · frets 2–53rd inversion: E A C F from the bass
Grip x-7-7-5-6-x · frets 5–7Fmaj7 drop 2 on strings 4–1
Root position: F C E A from the bass
Grip x-x-3-5-5-5 · frets 3–51st inversion: A E F C from the bass
Grip x-x-7-9-6-8 · frets 6–92nd inversion: C F A E from the bass
Grip x-x-10-10-10-12 · frets 10–12Show 1 more inversionShow 2 more inversionsShow less
2nd inversion: C F A E from the bass
Grip x-x-10-10-10-12 · frets 10–123rd inversion: E A C F from the bass
Grip x-x-2-2-1-1 · frets 1–2More Fmaj7
Scales with Fmaj7 in them
Scales on this site that contain this chord, and the degree it is built on.
- C major on 4
- F major on 1
- D minor on ♭3
- A minor on ♭6
- D Dorian on ♭3
- G Dorian on ♭7
- E Phrygian on ♭2
- A Phrygian on ♭6
- F Lydian on 1
- B♭ Lydian on 5
- C Mixolydian on 4
- G Mixolydian on ♭7
- E Locrian on ♭2
- B Locrian on ♭5
- A harmonic minor on ♭6
- C bebop dominant on 4
- F bebop dominant on 1
- G bebop dominant on ♭7
- E Phrygian dominant on ♭2
Use it in a progression
Progression pages that comp this chord, voice-led, with the numeral it plays.
- ii–V–I in F (Fmaj7 as Imaj7)
- I–vi–ii–V in F (Fmaj7 as I)
- All of Me (Fmaj7 as 25)
- Take the A Train (Fmaj7 as 17)
Drop 2 maj7 in every key
Practice it in Practice Lab
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Open it in Practice Lab