Guitar · drop voicings
G7 drop 2 voicings on guitar
G7 drop 2 voices G, B, D, F with one note per string: 12 shapes, 4 inversions on 3 string sets. Each is the lowest grip without open strings, all within 4 frets. Drop-2 dominant-seventh recipe: 5-1-3-b7 from the bass.
| Note | G | B | D | F |
|---|---|---|---|---|
| Degree | 1 | 3 | 5 | ♭7 |
G7 drop 2 on strings 6–3
Root position: G D F B from the bass
Grip 3-5-3-4-x-x · frets 3–51st inversion: B F G D from the bass
Grip 7-8-5-7-x-x · frets 5–82nd inversion: D G B F from the bass
Grip 10-10-9-10-x-x · frets 9–10Show 1 more inversionShow 2 more inversionsShow less
2nd inversion: D G B F from the bass
Grip 10-10-9-10-x-x · frets 9–103rd inversion: F B D G from the bass
Grip 13-14-12-12-x-x · frets 12–14G7 drop 2 on strings 5–2
Root position: G D F B from the bass
Grip x-10-12-10-12-x · frets 10–121st inversion: B F G D from the bass
Grip x-14-15-12-15-x · frets 12–152nd inversion: D G B F from the bass
Grip x-5-5-4-6-x · frets 4–6Show 1 more inversionShow 2 more inversionsShow less
2nd inversion: D G B F from the bass
Grip x-5-5-4-6-x · frets 4–63rd inversion: F B D G from the bass
Grip x-8-9-7-8-x · frets 7–9G7 drop 2 on strings 4–1
Root position: G D F B from the bass
Grip x-x-5-7-6-7 · frets 5–71st inversion: B F G D from the bass
Grip x-x-9-10-8-10 · frets 8–102nd inversion: D G B F from the bass
Grip x-x-12-12-12-13 · frets 12–13Show 1 more inversionShow 2 more inversionsShow less
2nd inversion: D G B F from the bass
Grip x-x-12-12-12-13 · frets 12–133rd inversion: F B D G from the bass
Grip x-x-3-4-3-3 · frets 3–4More G7
Scales with G7 in them
Scales on this site that contain this chord, and the degree it is built on.
- C major on 5
- A minor on ♭7
- D Dorian on 4
- E Phrygian on ♭3
- F Lydian on 2
- G Mixolydian on 1
- B Locrian on ♭6
- C harmonic minor on 5
- C melodic minor on 5
- D melodic minor on 4
- C bebop dominant on 5
- G bebop dominant on 1
- C♯ altered on ♭5
- B altered on ♭6
- F Lydian dominant on 2
- G Lydian dominant on 1
- G Phrygian dominant on 1
- D, F, A♭ and B diminished whole–half on 4
- E, G, B♭ and C♯ diminished half–whole on ♭3
Use it in a progression
Progression pages that comp this chord, voice-led, with the numeral it plays.
- ii–V–I in C (G7 as V7)
- ii–V–I in C minor (G7 as V7)
- I–vi–ii–V in C (G7 as V)
- Blue Bossa (G7 as 6)
- All of Me (G7 as 16)
- Take the A Train (G7 as 6)
- Rhythm changes (G7 as 1b)
Drop 2 dominant 7 in every key
Practice it in Practice Lab
Practice G7 drop 2 through every shape, at your tempo, with a plan that adapts. Free, in your browser, no account.
Open it in Practice Lab