Guitar · voicings
Upper structure II voicings on guitar
Upper structure II (9–♯11–13). Played as stacked and in each inversion. Practice Lab's voicing search finds 12 shapes, every one movable: drawn here on C (D, F♯, A), each plays any key moved to it, as the table below shows. A major triad a whole step above a dominant root; play it over the 7th.
| Note | D | F♯ | A |
|---|---|---|---|
| Degree | 9 | ♯11 | 13 |
From the bass: D F♯ A (9 ♯11 13)
Strings 6, 5 and 4
Grip 10-9-7-x-x-x · frets 7–10Strings 5, 4 and 3
Grip x-5-4-2-x-x · frets 2–5Strings 4, 3 and 2
Grip x-x-12-11-10-x · frets 10–12Show 1 more string setShow 2 more string setsShow less
Strings 4, 3 and 2
Grip x-x-12-11-10-x · frets 10–12Strings 3, 2 and 1
Grip x-x-x-7-7-5 · frets 5–7From the bass: F♯ A D (♯11 13 9)
Strings 6, 5 and 4
Grip 14-12-12-x-x-x · frets 12–14Strings 5, 4 and 3
Grip x-9-7-7-x-x · frets 7–9Strings 4, 3 and 2
Grip x-x-4-2-3-x · frets 2–4Show 1 more string setShow 2 more string setsShow less
Strings 4, 3 and 2
Grip x-x-4-2-3-x · frets 2–4Strings 3, 2 and 1
Grip x-x-x-11-10-10 · frets 10–11From the bass: A D F♯ (13 9 ♯11)
Strings 6, 5 and 4
Grip 5-5-4-x-x-x · frets 4–5Strings 5, 4 and 3
Grip x-12-12-11-x-x · frets 11–12Strings 4, 3 and 2
Grip x-x-7-7-7-x · fret 7Show 1 more string setShow 2 more string setsShow less
Strings 4, 3 and 2
Grip x-x-7-7-7-x · fret 7Strings 3, 2 and 1
Grip x-x-x-2-3-2 · frets 2–3Where the shapes start in every key
The fret of each shape's lowest note, between fret 1 and 12, by the string it is on and the degree it plays.
| Dominant | String 3 (9) | String 3 (♯11) | String 3 (13) | String 4 (9) | String 4 (♯11) | String 4 (13) | String 5 (9) | String 5 (♯11) | String 5 (13) | String 6 (9) | String 6 (♯11) | String 6 (13) |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| C | 7 | 11 | 2 | 12 | 4 | 7 | 5 | 9 | 12 | 10 | 2 | 5 |
| D♭ | 8 | 12 | 3 | 1 | 5 | 8 | 6 | 10 | 1 | 11 | 3 | 6 |
| D | 9 | 1 | 4 | 2 | 6 | 9 | 7 | 11 | 2 | 12 | 4 | 7 |
| E♭ | 10 | 2 | 5 | 3 | 7 | 10 | 8 | 12 | 3 | 1 | 5 | 8 |
| E | 11 | 3 | 6 | 4 | 8 | 11 | 9 | 1 | 4 | 2 | 6 | 9 |
| F | 12 | 4 | 7 | 5 | 9 | 12 | 10 | 2 | 5 | 3 | 7 | 10 |
| G♭ | 1 | 5 | 8 | 6 | 10 | 1 | 11 | 3 | 6 | 4 | 8 | 11 |
| G | 2 | 6 | 9 | 7 | 11 | 2 | 12 | 4 | 7 | 5 | 9 | 12 |
| A♭ | 3 | 7 | 10 | 8 | 12 | 3 | 1 | 5 | 8 | 6 | 10 | 1 |
| A | 4 | 8 | 11 | 9 | 1 | 4 | 2 | 6 | 9 | 7 | 11 | 2 |
| B♭ | 5 | 9 | 12 | 10 | 2 | 5 | 3 | 7 | 10 | 8 | 12 | 3 |
| B | 6 | 10 | 1 | 11 | 3 | 6 | 4 | 8 | 11 | 9 | 1 | 4 |
Scales with Upper structure II on C in them
Scale pages on the same root that hold every note of the voicing.
Use it in a progression
Progression pages with a dominant on C it can voice, with the numeral it plays.
- ii–V–I in F (C7 as V7)
- ii–V–I in F minor (C7 as V7)
- I–vi–ii–V in F (C7 as V)
- Autumn Leaves (C7 as 27b)
- Rhythm changes (C7 as 21)
- Blues in F (C7 as 9)
Practice it in Practice Lab
Practice Upper structure II voicings in every key, at your tempo, with a plan that adapts. Free, in your browser, no account.
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